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Reading Bach Choir
All posts by Nadja Guggi
Mairie MacInnes: Amazing Memories
Jenny Halstead: Silchester
Silchester: Life on the Dig, by Jenny Halstead & Michael Fulford
Two Rivers Press
Terry Allsop: Caught on Camera
Caught on Camera: Reading in the 70s. Terry Allsop
Two Rivers Press
A unique collection of black and white photographs by Terry Allsop, showing a Reading we had all but forgotten, with many well-known scenes and locations around this ever-changing town, and others tucked away, redeveloped or demolished.
Julia Trickey: Plant Portraits by Post
Plant Portraits by Post: Post & Go British Flora, by Julia Trickey
Two Rivers Press
Allen W. Seaby
Allen W. Seaby: Art & Nature, by Martin Andrews & Robert Gillmor
Two Rivers Press
Martin Andrews: Fox Talbot & the Reading Establishment
Fox Talbot & the Reading Establishment, written and illustrated by Martin Andrews
Two Rivers Press
Fox Talbot & the Reading Establishment tells the story of the first commercial studio to mass-produce photographs from negatives, set up by William Henry Fox Talbot in Reading in 1843.
Kerry Renshaw: Reading Detectives
Jean Jennings: The Blueskop in the Jacaranda
The Blueskop in the Jacaranda: An African Wonderland, by Jean Jennings
Self-published
Jean Jennings’ memoir of her life in Zambia 1970–1973
Robert Gillmor: Cover Birds
Cover Birds, by Robert Gillmor
Two Rivers Press
We are delighted to be working again with internationally acclaimed wildlife artist Robert Gillmor for Two Rivers Press.
Gillmor was already a keen bird-watcher at the age of 11 when the Reading Ornithological Club (launched in 1947) invited him to join them as a visitor; at 13 he was elected as their first junior member. He was also learning the art of lino-cutting at Leighton Park School, and the Club’s 1949 annual report bore his linocut of a Canada Goose on its first printed cover. Over sixty years on he is still producing his wonderful representations of birds for the covers, particularly the more interesting sightings of each year. This book is the story of his formative bird-watching and print-making years. Illustrated with the images from the covers themselves, it is a beguiling account of the development of both artist and bird-lover.

















































